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Breed

85 Audio Reviews w/ Response

All 122 Reviews

Great backing track

I see that this is an arrangement for soloing over, and it's very done to compliment some reeds or other string instruments like you listed.

I have just a few minor suggestions for improving your mix quality however. The first is your relative volumes. The trumpet as mentioned is a big too loud compared to the others for the moment. Just a few dB pad on that guy and you will have yourself a much more balanced sounding piece. The second is the piano, those higher octave chords cut through the mix rather sharply, perhaps think about adjusting the velocity on some of those higher notes so that it feels even.

From a composer/songwriters standpoint there are a few other things I noticed that maybe your standard listeners might not--the drums for instance are very repetitive and don't have any fills until the very end. A little variation every 8 measures or at the end of each part would really give the song more flow as well as keep a listener interested without noticing. Also for different melodic parts a different main variation of the beat would emphasize that the song has moved on.

I know you probably realize a lot of this seeing as you did this quickly, but hopefully there's a shred of usefulness within my post here. Fun track to listen to mate.

Cheers!
- LD -

Review Request Club

camoshark responds:

Thanks for the great review!

I never really mixed the song, I made a quick arrangement in it's most basic form pulled directly from the realbook to compliment my solo in the middle.

It was mostly meant to be made for that only purpose, thus the louder trumpet to make it stand out, but I decided at the last minute to post it here to get some feedback.

As for the piano part, there's a good reason for being too high: The version in the realbook was a 4th too low, so I simply transposed it to the right key, keeping the original comping. I was just too lazy to arrange it properly.

The rythme section was also done quickly, and thus don't really have any presence throughout the song.

I totally agree with you throughout your review, and don't think I won't take note on what you said. I'll put more efforts in my futur arrangements from now on, and will do what I can to EQ it properly, as I use a notation software, with wich I write sheet music and not sequences.

Thanks again for the review!

Cheers

Great Fills

There are some great strengths to this track: Firstly and namely your fills and automations. You keep it interesting with something new every four measures whether it's a new fill or a combo of fills and automations, keeping me listening and progressing quickly through the track without noticing(great quality in a song). It's also unified very well and the structure is well planned as well.

At this level I only have small critiques for you. The first little trick I would suggest is using a band pass or low pass filter for your entire intro. The advantage to using a band pass is that you can make it more subtle and get a stronger effect. A wide bandpass that cuts just a little bit of the detail in the very high end and the power in the low end will make your main bassline and kick feel like your bringing up the power for the main drop. As for this version, you kind of already get the main part for a while, and when it finally comes back in a few minutes into the piece, you feel like you're just revisiting what you already hear(even though the rising action is amazingly done).

Another I would say is that overall if you want more power to your piece you need to pump that compressor a little more on the kick, make sure your release isnt set too high so that you get a longer sub punch, and don't forget to up the attack a bit usually 8ms to 20ms depending on the waveform.

The overall mastering comes out a bit quiet. You could get the track mastered if you have enough headroom, but if you know your way around a good multiband compressor like izotopes then you could really pump up the whole track by what would seem like a few dB rise, making the mix stick out above other songs.

Good luck on your musical journey and I hope to review more of your tracks in the future.

Cheers!
- LD -

Review Request Club

mmmburgers responds:

Thanks for the review! Glad you liked my fills, there's tons of automation going on every 8 bars, :D

And yeah I do also agree that the mastering on this track lacks punch and loudness, but I'm getting the track properly mastered before it gets released under a label and all, so that should give the final version more oomph. :D

. . .

Incorporating the main melody within your solo was a good idea. I think the panning of that organ threw me off a lot though. On speakers it works fine...but on headphones its wayyy to much methinkz.

By curiosity how much of this is recorded live? My guess is that its just the trumpet.

Still thanks for putting everything together!
Cheers!

sorohanro responds:

Thanks for the review.
Trumpet and guitar are played live, organ solo played and not quantized (so, kind of count as live) bass and drums sequenced (played on keyboard and quantized and layered).

. . .

Is it sad that John Williams made it so that every time I hear repeating minor 2nd's I think of the sound track from Jaws? Cuz thats exactly what I was thinking. You even had the tonic, minor second, tonic, major 7th thing that also charactrizes jaws...ljnrgphwfhwe<--keyboard mashing from trying NOT to hear jaws.

Lots of horror aspects to it, very score like.

blackattackbitch responds:

That's part of the reason why I decided not to work on it. It sounds too much like Jaws, and I didn't want that. Plus, I couldn't get the song to fit with the theme I wanted. Thanks for the review though, I really appreciate it.

. . .

Flash-MX pretty much said exactly what I wanted to say, but another little scale to try out is the "arabic" scale that fl studio claims in its arpegiiator....i dont use that function but in semitones it goes

1-2-1-2-1-5

yea...it jumps a p4...its strange, but it works. I use it in 3 of my pieces if you want an example of using it in context--they are called "Desert Spirit", "Poly Insanity", and "The Jungle Tribe" (im not trying to whore just trying to provide context)

But yea emotionally the melody doesnt fit for a desert or eastern feel. You may also be interested in Cartanic music which is Indian style eastern music. They use 72 different melakartas raagas which are each scales. Very cool stuff cartanic music theory. All based on connecting to the different charkras in our bodies to evoke certain emotions and spirits.

BTW I still enjoyed the cinematic feel to this. Definitely reminds me of James Hoerner music.

Cheers!

BrokenDeck responds:

Flash-MX mentioned a North American desert... it might fit there? lol Anyways thanks for the in-depth review. I really appreciate this guys!

:D

. . .

Compositionally I'm not one to judge very well, but I did enjoy it, only I felt it could have used a bit more harmony. Some kind of accompaniment would be nice (like a background progression of some sort, or a sidechain bassline. They are parts that are polyphonic and homophonic, but it's subtle. The drums are very interesting, I love em, but I feel like they could come in in parts, and have more variance. It's mostly just that one loop the whole time.

As for mixing it sounds pretty spot on. Personally I would nudge that backbeat snare up a bit. The timbres of all the synths are nice, but I would try to have some more contrasting richer/rougher sounds to the siney smooth ones.

Overall it's a solid track. I enjoyed it.

Jakesnke17 responds:

Well, heh, I'll be one to admit. I didn't really have a great idea for this one...it's kinda schizophrenic. Just starting out on a digital audio workstation, and figuring out just what the hell to do, FL Studio is a puzzle in itself. lol

Well, glad you enjoyed it, thanks for the review. :)

. . .

This reminds me a lot of the scoring from the disney movie "Up." Very interesting, wish I had more to say compositionally, but hey I guess that's why im going to college haha.

Cheers!

TheBenjerman responds:

Sweet! I just got compared to an oscar-winning score! ^_^

And yup! That's what college is for! You can critique my contrapuntal technique in a year or two if you want. :P

Thanks!

. . .

I told you it would get 1k+ downloads you noob

Mans0n responds:

guess you were right lulz

Owner, composer, and sound designer at LD Productions. Ask me about how we can help you with your next project!

LD Productions @Breed

Age 34, Male

Audio Producer

College of DuPage

Chicago

Joined on 3/23/09

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